Was "Avatar" a "great" movie or not?
I have been intending to write this ever since I saw "Avatar" nearly a month ago, but hadn't got around to it. Ravaged by the flu and bored out of my mind from sitting around and feeling sick, and with the Oscars on in a few hours, now seems like the time...
--WARNING, CONTAINS SPOILERS!--
either that, or it won't make any sense if you haven't sen it!
I think the most striking impression I got from experiencing "Avatar" was the realization that the highest-grossing movie of all time, and indeed one of the biggest "cinematic game changers" ever, may be little more than an eloquently packaged screed against imperialism, exploitation of resources, and the military-industrial complex. It may very well be the most anti-American film to achieve any level of mainstream box-office success, let alone the phenomenon it has become.
Don't get me wrong, I loved every freaking minute of it, realizing all along that I was being goaded into cheering the killing of American warriors and the destruction of a capitalist enterprise that had become exploitative to the point of derangement. I knew what was happening at every turn and rode right along with it, and I enjoyed the hell out of watching it; Jake Sully turned against his own race to save the Na'vi and I was willing to join the fight right along side of him, to turn back the ugly imperialist cur that was the human race, or more specifically the American capitalist war machine.
The predictability of the movie was hardly an issue, frankly some of the more "predictable" movies have been some of the better ones, and to complain about the alleged "simplicity" of the story line, or lament the "retread" nature of the basic theme is to entirely miss the point. What "Avatar" was about more than anything else was the compulsion of mankind to destroy whatever is beautiful, and the lesson is that some things, no matter how valuable we may think they are, should just be left the fuck alone.
Now, I'm a political contrarian, a bit of a tree-hugger, and probably even a misanthrope, so cheering against the impulses of my race, my country, and my socio-politcal environment is hardly difficult. Most people don't really want to know how I really feel about the fallibility of the American Empire so I largely leave these things to myself. What strikes me is how popular the movie is, and how little that "popular buzz" centers around the fact that millions of Americans are enthralled by a film directly condemning their lifestyle.
James Cameron himself admits the film "implicitly criticizes America's role in the Iraq War and the impersonal nature of mechanized warfare in general", it uses the term "shock and awe" without irony; and Gen. Quaritch, the leader of "Sec-Ops" portrayed in an almost comic-bookish over the top, bloodthirsty manner, uses the term "terrorists" to describe the native Na'vi in their attempts to overrun the human mining colony to expel the unwanted interlopers to their homeland. Cameron tries to claim the film "is not un-American" but I'm not buying.
The most striking scene of the entire movie -- when the "Sec-Ops" commercial military force destroys the "Hometree," the home of the Omaticaya tribe of the Na'vi Jake Sully has been indoctrinated into -- and the scene most clearly meant to turn the viewers hearts to the cause of the natives, and against Us, and expose the recklessness, ruthlessness, and heartlessness of the Imperial invaders, clearly and unabashedly evokes memories of 9-11 and the collapse of the Twin Towers. Cameron can deny it all he wants, but it is self-evident that he is turning America's victimization around on us, and reminding us all "yeah, remember, this is what it feels like!"
It goes beyond that, the inhuman decision to destroy the center of Na'vi religion, the "Tree of Souls" is termed a "pre-emptive strike" by the invading humans, in an attempt to destroy the Na'vi will to fight and subdue them into submission.
And what's the path to salvation for the Na'vi, and ultimately for Pandora itself? Its the "neural network" of all living things on the planet. The filmmakers latched onto an important idea here, as we can all relate to "networking" in the era of high-speed internet, smartphones, and social networking platforms. In the same way we can admire the founders of companies like Google for their insight and vision in helping to "bring the world together", we can relate to the bravery of Jake Sully for being willing to find a way to "plug into" Pandora and become only the 6th "Toruk Makto" and save the planet and its inhabitants.
Make no mistake, this movie is, and will continue to, make a killing in foreign markets, which has become the key in our contemporary globalized marketplace to Hollywood releases really raking in the cash. It should be pretty obvious why. This movie, more than anything, encapsulates the failure of the American Empire, it succinctly portrays a failure of excess capitalism, excess militarism, and excess exploitation in as entertaining a manner as possible. If the popular global view is that the American Age has run its course and will inevitably subside, this is eye candy at its finest! (to be fair, let me just mention in passing the somewhat atrocious environmental and human-rights record of, oh, say, China... but that's another topic for another day)
To re-iterate, all these things I am saying are what I LIKED about the movie! I'm not sure what that says about me. Look, I thought Pandora was a cool place, the Na'vi were beautiful... umm... people, and it would be one helluva time to get to ride an Ikran (I'll leave the Toruk to the other Jake.) Maybe it makes me a dork, but I'd like to go climbing in the floating mountains, live in the Hometree, and be able to plug into a network that connects me with the forest itself. I completely understand how some people have experienced the "Avatar blues," the disappointing comedown to reality that many have experienced after seeing the film. I even got a little of it myself, mainly due to the adrenaline surge I got from being plugged into this "virtual world." As I commented after the movie "its about something more beautiful than we will ever have, and if we did, we would just try to destroy it," and frankly, that kind of left me in a funk for a couple days.
"Pandora" is a dreamworld, a place that humans are unwilling or unable to understand, and where we don't belong. We see it through the eyes of Jake Sully, who must live it to understand it, and we are given only a tantalizing piece of it. I left wanting more, and any movie that can accomplish that must work, somehow...
There will always be the detractors. The story is seen as too linear and formulaic -- but I gotta be honest, if given the choice between a story like this and the ridiculousness that was "Dark Knight" I'll usually take the former -- and the dialogue has been panned as trite. The obvious tomato to throw at this movie is to demean it as "not letting a story get in the way of all the special effects."
Thing is, so what... The message that was clearly meant to be gotten across was clearly gotten across. I went into this movie expecting nothing, I figured it would be similar to my "Lord of the Rings: Fellowship of the Ring" experience where I went in expecting nothing and came out with a sore ass and the tangible impression I had wasted my time and money (and that was a hugely popular movie, I saw the second out of cultural obligation and to this day have never watched the 3rd). Instead, I came out strangely affected, with the very real impression I had experienced something noteworthy.
Let me go a step further, kids. Lets analyze the dialogue from the original "Star Wars" arc. Lets break apart and analyze the story telling. The fact is, that doesn't matter... what matters is that we were taken for a ride and we enjoyed the hell out of it, and maybe we even learned something about ourselves from the experience. I'm not entirely sure what You're looking for out of an afternoon at a theatre, but any more, that's worth it to me...
I would liken it to a led Zeppelin song. Don't spend too much time worrying about the lyrics, or the origins of it, just enjoy it what for what it is.
I would liken it to a led Zeppelin song. Don't spend too much time worrying about the lyrics, or the origins of it, just enjoy it what for what it is.
So it all comes back to my original question, which was is its a "Great" movie. To each his own, and to each his own definition of what makes a movie "great." In my jaded and cynical world, any movie that could have that kind of an emotional impact has to have done something right. Sure it was "great," and it may have even been "best" of 2009.
